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“This could be the day you die”

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When Writer Sara Hess Was Conscripted “Dragon Palace”, It’s about improving the portrayal of women in the “Game of Thrones” series — and by extension, how the show portrays childbirth.

“I met Ryan [Condal], he was asking me — he was kind of recruiting me, and I was reluctant to do that at first, and I kind of expressed all my reservations to him,” Hess said on Wednesday at TheWrap’s Women in Power Summit as the Changemakers panel. One said. “His response was, ‘Listen, this is why I need you. I married a girl from Jersey. If I do something wrong, she will kill me. “

Hess added that after looking at material based on George RR Martin’s Fire and Blood book and chronicling the decline of House Targaryen 200 years before the events of Game of Thrones, she saw an opportunity to tell One from a woman’s point of view, “This may not have been told before.”

This extends to the show’s profuse depiction of childbirth, which Hess hopes will contrast with how childbirth is typically depicted on television.

Also read:
‘House of the Dragon’ producer explains why Velaryons are black: ‘It’s not just for ticking’

“The first season is a time-compressed, a lot of children are born in the course of the story, so we have to think twice whether to show all these births? Will it be boring?” Hess said. “It’s definitely one thing that I feel strongly about because I feel like every birth scene I’ve ever seen on any TV show or movie looks exactly the same, and that’s the woman lying on her back — no matter what period — She was like pushing on her back, and the baby came out. It was like, ‘Oh, congratulations.’”

Hess went on to explain that she explained to the men in the writers room that every birth is different and that she wanted to portray those different experiences on the show.

“I say to these people, like every birth I’ve heard from friends or experienced, they’re all completely different. They’re different experiences depending on the woman doing it and the situation. This Be part of a woman’s story that I feel is completely glorified in popular entertainment,” she said.

Emma Darcy in

Emma Darcy in “House of the Dragon” (HBO)

To that end, Hess made sure to portray a variety of childbirth experiences when bringing four different birthing scenes to life in the series.

“So we sort of explicitly go in and show four different births, make them all different, and bring in a variety of experiences. One of the themes of our show, I think, is Ryan and Miguel [Sapochnik] As I said before, birth in that era was a battlefield for women. So men go out and fight with swords, and for women, you know, every time you get pregnant, it’s probably the day you die. And you go to war to protect humanity. “

Also read:
‘House of the Dragon’ cast and performers break down how finale ended: ‘This moved the goalposts for misery’

She said the graphic nature of the birth scenes in “House of the Dragon” had viewers talking to Hess about abortion rights.

“A lot of people say, ‘Oh my gosh, this makes me think differently about abortion rights.’ Because when you see it for what it is and all the brutal things you’re forcing a woman through, if You don’t want to do that, and that’s a horrible thing to put someone else through.”

House of the Dragon is returning for a second season on HBO.

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