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Even before the tragedy on the set of “Rusty,” actor and producer Mike Hatton had strong feelings about the use of white space in filmmaking.
“I don’t think they’re necessary,” said Hatton, who is also the husband of KCAL journalist Kristine Lazar. “Besides the obvious, which is safety on set, first and foremost, they cost a lot of money. And it’s necessary. We saved money by cutting them.”
The actor was one of the stars of the Oscar-winning film “Green Book.”
He’s also an independent filmmaker putting the finishing touches on his latest project with Gold Tree Films in West Hollywood. For this project, he used computer-generated muzzle flashes and cartridge casings to create a scene featuring a gun without a single bullet firing.
“There were absolutely no blanks in those guns,” Hatton said. “It’s all about [Visual Effects]. Everything is done in post-production. “
Hatton was one of many in the film industry who decided to make changes following the death of cinematographer Halyna Hutchins during the filming of Rusty. The 42-year-old’s death has also prompted prop masters and armorers to alter the training schedule many actors and producers undergo before going on film.
“Six months after the ‘Rust’ tragedy, many armorers came together and we all agreed…to come up with a more in-depth training program,” said Prop Master and Armorer Dutch Merrick.
The group has come up with an eight-hour workshop that can be used by both union and non-union productions.
“In Hollywood, what we’ve been doing safely for over 130 years is that we’re able to choreograph everything from a simple gunshot to a big shootout … blank shot in a safe way,” Merrick said.
Both Merrick and Hatton believe actors will be less willing to use guns as actor Alec Baldwin faces charges in connection with the fatal shooting.
“I do think the silver lining of this terrible, horrific tragedy is that the sets will become safer for the crew and the cast,” Hatton said.
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