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group An internet sensation was created, and Hive had some ideas.The collection is a wild, slanted mix Thriller, satire and psychodrama, with episodes of horror and slapstick Put in good measure.
But it’s not just its clever genre-bending and blending that sets it apart from the rest of the TV landscape. In fact, the main character is a black woman who starts doing what white people have been doing for the past two and a half years, ever since Tony Soprano woke up one morning and bought himself a gun to do objectively bad things , that is, and still evoked a kind of moral gymnastics in the audience to cheer, and sometimes even sympathize with her.
For co-creator Janine Nabers, group It’s all about “creative freedom,” a grand and daring experiment that could explode in front of everyone involved. Instead, it’s like an adrenaline shot into the zeitgeist, a show so bonkers, brilliant, and present, one wishes for more when so much TV (and there are so many!) feels like painting experimental figures.
“I really hope this show inspires other black women to write outside the box of black female characters,” Nabors told EW. “This is a very risky show for Amazon. The fact that they’re backing a creative team of primarily black women to write, produce and direct this series is unbelievable.”
save the bull “Swarm” co-creator Janine Nabers
nabors is a writer and producer Atlantacreativity donald gloverwho she works with group. dominic fishback Between 2016 and 2018, Andrea “Dre” Green played a distraught young woman who kills in the southeastern United States. Beyonce-like goddess of pop, Ni’Jah.
Is there a greater icon in modern culture than an international pop star? They hold a place in people’s imaginations, and their music is more intimate and personal than a movie or TV show. Pop stars can live in your head, in your ears, and in your heart. Ni’Jah represents something fleeting to Dre; her connection to sister and fellow Ni’Jah stan Marissa (Chlöe Bailey), who bears some responsibility for her death. Therefore, killing someone who weakens Ni’Jah is both an act of revenge and an act of absolution.
“I think [Dre] An antihero from her own perspective. I think she represents something very important to her. I think that’s really what antiheroes are,” Nabors said. “I think it would be great if you could find some kind of connection or empathy for them. I think that’s fantastic. “
“But when I look at the antiheroes I love as a writer, you don’t always agree with the choices they make, but you can at least understand their basic needs. And I think everyone seems to understand that it’s a A woman who loved her sister and loved this artist and would do anything for the two of them.”
Warwick Page/Prime Video Dominic Fishback in The Swarm
When asked if black antiheroes had different rules than white antiheroes, Nabors argued that they “are the same.”
“I feel like we have to stop looking at them as if they’re different because they’re a different race,” she noted. “I think it’s a muscle that we as black people in the world have to develop, that they want to stand beside white people on an equal footing with white people, and the weird stories that they’re allowed to tell. I think it’s really about that. I think it’s important to Black and white should be defined equally across the board.”
As US television goes deeper and deeper into the rabbit hole of its obsession with serial killers, it leads to some worry These shows humanize, romanticize, or otherwise glorify the act of murder and the people who commit it.But the creators love making these shows and the reason viewers watch them is that people Do Connect with these characters in some way. group Allowing to dig into these dark, unspeakable corners of humanity where you can see yourself—and then tear yourself apart.
“The only reason you want Andrea’s crying story is so you can exonerate yourself,” caseworker Roberta Kirby (played by Bonita Ellery) told a photographer she was too eager to expose Things she might be “hiding” about Dre groupThoughts for episode six. Kirby continued, “You need to have a reason for her being such a mess so you don’t have to sweep your own front door and realize you have the same flaw.”
That episode, “Fall Through the Cracks,” flipped the entire show by adopting a documentary style, Atlanta Using it works fine (see, Instantlythe eighth episode of the final season, “The idiot sitting at the door.”)
“I love documentaries. Donald loves documentaries,” Nabors said. “I think we really wanted to show an episode of Dre without her from the perspective of another black woman and layer it in the idea of researching her background, rather than trauma porn, it’s a little more intelligent. I To think that was really the overall goal of that episode. Kind of cheeky, but that was the intent.”
Robbie Klein/Profile/Getty Chloe Bailey, Dominique Fishback and Janine Nabers of Swarm
group Proving to be hilarious fare, sparking social discussion and division, like the 32-time Grammy-winning leading lady, it draws clout from there. Nabers wisely isn’t on social media, so she’s not entirely sure what people are saying (although she says her friends would be more than happy to text her unsolicited) but she just hopes the conversations that take place are positive and the show isn’t interpreted as “Tearing other women or black people apart from a black woman’s perspective”.
Still, when every major conglomerate has a streaming service, to have shows that cut through the noise of the content (group on Prime Video), just hit a few hotkeys.
“You want discussions because you don’t want silence,” Nabors said. “You want a show that makes a splash, and it doesn’t matter whether it’s good or bad. I think white people have been given this space for years, and I’m still fighting an uphill battle with white executives who say, ‘We want black people’ to Happy.’ These are the notes people give.”
She added, “That’s what I think the reality of black presence on TV is. I sort of imagine, f— that. Let’s just show what we want to show. Let’s mix it up.”
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