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Since its premiere on Comedy Central in 2019, the other two has slowly become one of the funniest shows on TV. Created by Chris Kelly and Sarah Snyder, the series is about an American family obsessed with fame, about a showbiz family whose members all want to make it to the top. The first two seasons established the slightly elevated world of the entertainment industry’s self-parody. The show follows two siblings, Cary (Drew Tarver) and Brooke (Helen Yorke), as they try to get along with their Justin Bieber-like pop star brother, Chas Drimes (Keth Walker) and their Ellen-like stand-up mom, Pat (Molly Shannon).
The second season, which shifted to HBO, saw the family begin to realize their dream — just as a global pandemic hit at the end of the season. The third season, which premiered on May 4, skips ahead and puts the characters in hilarious new situations that force them to question whether show business is really worth it after all. The cast also includes Ken Marino as Chase’s manager Streeter Peters, and they return along with a slew of notable guest stars. While it’s hard to discuss without revealing too much, it’s arguable that the antics are bigger and the emotions are heightened.
“There’s wigs, there’s bizarre situations, there’s surrealism,” Yorke told Shondaland ahead of the premiere. “There’s been a lot of volatility this year, and it’s been pretty scary reading the script in a way where I’m like, ‘How am I going to fix this? How can this be true? But it’s just a sign of the confidence the writers have in us doing what we’re asked to do. .It’s really silly and it’s a joy. People who love our show are going to be blown away. They’ve really worked hard this year.”
For York, be a part of the other two is particularly transformative.Actresses who have starred in the past sex guru and good at fightingnot only finding herself skyrocketing into the spotlight, but also figuring out what she wants to do in the future.
“I’m adapting a novel with a friend of mine, I’m trying to pitch a TV show with one of my best friends, and I’m trying to get more people involved in what I’m doing, especially in future,” York said. “I think there’s a lot of power in that.”
Yorke discusses what it’s like to play Brooke Dubek, why people are so fascinated by the entertainment industry, and what success means to her.
EMILY ZEMLER: It’s really hard to talk about the new season without spoilers.
Helen York: The talking points they gave us this season are a minefield!
EZ: Season 2 ended on an interesting cliffhanger. Where can we find Brook when the season starts?
Hay: We did a three-year time jump for you and your viewing pleasure, we went through the pandemic, we sorted it out a little bit, and then we jumped. Of course, three years from now, all of us will only be a little crazier after what we’ve been through. What I love about Brooke’s journey is basically “Am I a good guy? Am I doing good enough?” The answer is definitely no. But she is on a noble quest to be good.
EZ: It could be argued that Brooke has done some self-reflection in the first few episodes.
Hay: Yes. Sadly, it’s so relevant. I find this character embarrassingly relatable.
EZ: When you first started playing her, did you think she would be so relatable?
Hay: I did it. What I mean by that is that I myself have problems being honest and candid about my flaws and being open about it. It feels like the more you spew crap about yourself in the universe, the more you can control it. I have a mouth the size of outer space. It sounds dirty and pornographic. Also, she’s dirty and sexy. So yeah, I immediately thought she would be gracious. Anything we think is bad for us, she said. I think that’s one of the things that makes her such a refreshing character.
EZ: Do you think she became a better person in any way over the course of the three seasons?
Hay: No. If anything, the closer she gets to fame and fortune, the higher she climbs, the more she proves herself to be a strong person. I feel like at this point in my life, you’re always thinking, “Oh, I’m going to improve.” But if you’re not careful, everything that’s bad about you can just keep on building up. People cannot be changed! This is information. But I think it’s interesting that she’s unapologetically being herself. Writing has taken her through twists and turns, and you can experience that self at different heights. Now, she’s on a higher plane, she’s still herself.
EZ: Is it fun to play a character who is a mess?
Hay: In life, we all act as if we have figured it out. We all want people to think we’ve got it figured out. We want to feel like we’ve figured it out. [But] We didn’t, and neither did I. Playing someone who flies the flag so freely and goes to work like her is almost relaxing in a way, because it’s like an expression of bad instincts you’ve been trying to suppress. If anything, it’s allowing the freak flag to fly.
EZ: Was there anything Brooke did that surprised you?
Hay: Most of all, I found this article so surprising and enjoyable because I thought it was very clever. So, anything she does that I think is amazing is a reflection of the talent of Chris and Sarah, and our wonderful writers room and their invention of these situations, that she finds herself in and feels otherworldly, But basically rooted in reality. Like the idea of being invisible at an industry party is so fun, and she desperately wants to be seen there. I think we’re all in that situation, and certainly not acting like Brooke. I’m always excited when I read the material, this is where she’s going, this is where they dreamed.It’s funny because people will sell me their ideas on things [think] Should happen to Brooke, I thought, “Nothing you’ll ever say to me will be as funny as something [the writers] come up with. “
EZ: While showbiz looks really ridiculous on the show, do you think it does reflect reality in some ways?
Hay: One of the biggest things people in the industry came to me and told me “this episode really spoke to me” was the Chex Mix bitch episode [in season two] Brooke was out walking and talking on the phone throughout the party. My publicists, my managers, everyone felt very aware of that episode. Everything in our industry looks cool and fresh and fun and amazing. It’s really just a group of people who were super uncomfortable and hungry during the bizarre event of having to absorb it for three hours. The gas you get after an industry party is so strong. You go home and fart for a few days.
EZ: As actors, have you all talked about why the whole family is so obsessed with being a part of the industry?
Hay: I’m looking succession, I thought, “Why would these people want to climb this family ladder?” Why would you deal with being a part of it?i think connor is the smartest character succession。 When you’re in the middle of a glittering castle, or you feel so close to it, it’s hard to resist. If your priorities aren’t clear, if you can’t see the forest for the trees, what’s most important, then it’s so tempting to want to get close to it. Because it looks so amazing. It’s so dreamy.
We used to treat rich people like this in the past. We still do it to celebrities. People who work in entertainment are our royalty in America, it’s status, right? We live in a system, we live in a world where we’re all trying to climb up and make it look like we’re doing something or feeling a certain way. And, we always move the goalposts for ourselves. Once we get something, it’s never enough. The constant pursuit of this is what makes Kelly and Brooke resonate again.
EZ: Brook can’t let go, as we’ve seen in this new season.
Hay: She can’t let it go. she will understand. I think it’s related that I wasn’t successful in my 20s. I didn’t get there, and neither did Brooke. She’s broke, trying to make it happen and squatting in an apartment building. I was working the front desk of a fitness studio and trying to make money babysitting. I sublet my apartment because I can’t afford it, and live with my friend whose dog peed the entire pee pad in one week. As a struggling actor, I live a disgusting life.
So once you get there, you’re like, “Oh my God, I’m here. I’ve got to make the most of it. I’ve got to keep climbing; I’ve got to keep climbing.” Because this moment could pass at any moment. I don’t think anyone knows this better than someone who has failed, and I certainly have failed and will continue to do so.
EZ: Do you think you are a successful actor now?
Hay: Yes. I think it’s silly to quote something like “No, I’m not a successful actor”. It’s funny because I have a kid now, and I’ve hired actresses to take care of my kid. It feels like I’m basically putting my nanny money back into circulation. Wanting and insecurities and talking to them about their auditions and process—it didn’t change much. You’re just doing what you want to do to make money, you don’t necessarily have to babysit. But I always say to everyone, the moment the job ends, I’m online like, “Okay, okay, I guess I’ll have to go to interior design school because no one’s going to hire me anymore.” So yeah, I think I’m successful. But at this point in my life, more than anything, I feel like I’m successful because I have a vision. In my opinion, the only way to be truly successful is to be fully informed.
EZ: Originally, you didn’t know there was going to be a third season, right?
Hay: No, remember our first season is on Comedy Central. I mean, I have a feeling. [The writers] That’s great. They are so smart. Their commitment to making good shows runs so deep. But I don’t know. For the second season, we started in February 2020, took a year off and switched networks. Now we have a wider audience.
EZ: Is there anyone in the cast who is so funny that you can’t get past your scenes?
Hay: Ken Marino. Ken Marino is a nightmare because he’s so funny. He’s someone I find myself on set longer, like, watching the little things he does. Like the time he was thrown in the pool.we ended up in william vale [hotel], I made sure I was nearby watching Ken open his eyes in the pool. Omg he is so funny.
EZ: It’s great to be on a show that you want to be there and feel invested in.
Hay: Drew and I truly love each other and we are true friends. I feel the same way about Molly, Ken and Case, we watched them grow up.Wanda [Sykes] One of the friendliest people in the world. Chris and Sarah who make the show, I absolutely love it. I’m well aware of how rare this is. You do season three, and you go, “I don’t know if there’s going to be more.” It’s this magical, incredible time in my life, to be a part of it.
Emily Zemler is a freelance writer and reporter based in London.she often Los Angeles Times, Rolling Stone, PureWow, and travel expert, and is the author of two books.Follow her on Twitter @emilyzemler.
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