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Friday, June 2, 2023

‘Everywhere’ sweeps Spirit Awards ahead of Oscars

“Everything at the Same Time” continues its film Independent Spirit Awards presentation at next weekend’s Oscars. The multiverse adventure scooped up Best Picture, directors Daniel Kwan and Daniel Chanat, actors Michelle Yeoh, Kehui Quan and Lijuan Hsu, screenwriter and editor.

“Thank you to everyone who makes crazy, weird independent films,” Chenert said.

The ceremony, which was presented Saturday afternoon in a tent on the beach in Santa Monica, California, was broadcast live on YouTube and Twitter.

“Of all the awards shows, this is by far one of them,” said inaugural Spirit Awards host Hasan Minhaj at the opening.

Minhaj is hard on everything from the entertainment deal site Deadline (“At this point, Deadline is half gossip, half Ezra Miller crime tracker,” he says) to the show’s lack of a broadcast partner.

“The independent film channel doesn’t want an independent film award,” he said, noting that the channel chose to air the poorly-reviewed Will Ferrell film “Semi-Pro.”

“Award shows are dead,” he added. “My 2-year-old has more viewers for slime videos than the Oscars.”

The afternoon’s first prize went to Quan for Best Supporting Actor, and his co-star Jamie Lee Curtis was also nominated. This is the first time the Spirit Awards have adopted a gender-neutral award – with 10 nominees in both the leading and supporting acting categories. Kwon, who is expected to win the Best Supporting Actor Oscar next week, chose to dedicate the subject of his speech to the many crew members involved in the film, from stunt coordinators to production assistants.

Xu later won the Best Breakthrough Performance Award for the film.

“This is my first ever personal award and it feels so fitting in this room. I feel honored,” she said. “I really appreciate the Daniel family. Thank you so much for finding me, believing in my art, seeing me and supporting me.”

Hsu said she hoped the award would serve as a talisman for her desire to “protect that weird flag” and tell the story.

“I kind of like gender-neutral stuff, it’s kind of tight,” said Quinta Brunson of “Abbott Elementary,” who was awarded for his work in a new scripted series.

Brunson said she felt like the least independent person out there because her show was backed by Warner Bros. and Disney, but the spirit of it felt right.

Laura Poitras’ “All the Beauty and the Bloodshed” won best documentary. The film looks at the life of photographer and activist Nan Goldin.

“It would take me all day to fully express my gratitude to Nan for her cooperation and trust,” Poitras said. “She taught me a lot in making this film, most importantly art and The role of artists can change not only society, but how we understand the world we live in.”

Talking Woman was previously announced as the winner of the Robert Altman Award, honoring director Sarah Polley, casting directors John Buchan and Jason Knight, and including Jesse Buckley , Rooney Mara, Claire Foy, Ben Whishaw and Frances McDormand.

“The way you’re recognized for being a beautiful, supportive, loving whole is so fitting,” Polley said.

She also called her movie “Women Are Talking” in nod to Mark Wahlberg’s Mistake at the Screen Actors Guild Awards last week.

“Sorry, Marky Mark just entered my head,” she said.

Apple TV+’s “Pachinko” won the corresponding award on the TV side.

Nathan Fielder presented the unscripted episode award for his HBO show “The Rehearsal” and got the audience laughing by detailing the contents of the lunch box from everyone’s seat.

“Bean salad is great,” he said. “And some grapes. Delicious. They’re not rotten. None of them are rotten.”

Looking down at his trophy, he said, “I guess they’ll put names on it later?”

“The Nanny” director Nikiatu Jusu won the People to Watch award.

“Thankfully, Charlotte Wells doesn’t fall into that category, because I’ve been hooked on ‘Aftersun’ all year,” Jusu said.

“Aftersun” did win best premiere late afternoon.

“That’s the second function,” Wells said.

Other winners include “Joy to the World” (Best International Film), “The Bear” (New Screenplay Series and Supporting Actor Ayo Edbiri), “Cathedral” (John Cassavetes Award), John Patton Ford (first screenplay for Emily the Criminal) and “Tár” cinematographer Florian Hoffmeister.

Winners are voted on by members of the non-profit organization Film Independent. The budget cap for eligible films was recently raised from $22.5 million to $30 million.

Kwan closed the show with some inspirational words.

“We’re in the midst of an identity crisis and the whole industry is confused about what’s going to happen next, and it’s really scary, especially for the indie world, but I want to offer a reframing: this is an opportunity,” Kwan said .

“When everything is shaking, getting turbulent, and the foundations are cracking, that’s the perfect time to plant seeds. Our job is not just to adapt to the future, but to actively dream about what kind of future we want to rewrite, and how we want to work and What future to live in,” Kwan continued. I urge all of us to really dream big. What we do here will flow upstream to other parts of the industry. “

Copyright 2023 The Associated Press. all rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

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