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The pavilion inspired by “Bangkota” (meaning coral reef) showcases the interconnectedness and brotherhood of Filipino workers.
The Philippine Pavilion at Expo 2020 Dubai is an ode to Filipino migrant workers around the world, represented by flying structures, bird patterns and stunning murals.
The pavilion inspired by “Bangkota” (meaning coral reef) showcases the interconnection and brotherhood between Filipino workers or “Kabayan”.
Curator Marian Pastor Roces used the creative genius of acclaimed Filipino artists throughout the exhibition space to tell the story of the sustainability of Filipino culture over the past 4,000 years.
The sculpture entitled “Flying Overseas Workers” created by contemporary Filipino artist Charlie Co depicts floating men and women. They represent “Flying Filipino foreign workers-flying anywhere, for everything, for each A possible way forward. Then back to the Philippines.
The theme of travel is not only about today’s Filipino migrant workers, but also about their ancestors who settled on all the islands in half of the earth in the Neolithic period from one island to another, one continent to another.
The murals of Filipino diaspora painted by painter Dex Fernandez will also resonate among thousands of Filipino diasporas in the UAE (there are estimated to be 2.3 million Filipinos overseas, of which more than 650,000 are in the UAE).
The key space in the pavilion is also marked by the existence of a two-story high sculpture of a mythical figure by Duddley Diaz-this is Dan Raralio’s overhanging work of technical mythology; Riel Jaramillo Hilario’s human-bird form; and Toym Imao’s bird-shaped explosion.
“These images are reminiscent of the movement of Filipino contract workers around the world. They play an important role and we want to celebrate our overseas workers,” said Pastor Marian Rose, curator of the pavilion.
“The bird pattern is a common theme you will see throughout the process. It depicts the first people who spoke our language 4,000 years ago,” she said.
The famous Filipino artist Ramon P. Santos is the recipient of the National Medal of Music Artist, and the notes he creates add to the tourist experience.
Artist Lee Paje conceptualized the sculptures that danced with wildlife photography by Scott “Gutsy” Tuazon and Ivan Sarenas. Artist Patrick Cabral’s 3D filigree boat and baby and Coco Anne (Baby and Coco Anne) rising to the top of the high spiral, etched with the names of Filipinos of different cultures, and shared 65,000 years of mixed The same DNA mark is other famous sculptures, which adds to the artistic atmosphere of the pavilion. In another room, Pastor Rossis also commissioned a video titled “Our Gift to the World” in which the Philippines called for an end to ethnic division. The video focuses on contemporary dance and poetically collects themes of Filipino life. It is choreographed by Denisa Reyes and Japhet Mari “JM” Cabling, and the soundtrack is scored by young composer Teresa Barroso.
Pastor Rossis said that the pavilion exhibition integrates architecture, design, art and music into a single narrative, tracking the history, culture and language of the Philippines while reimagining it through a contemporary prism.
“It’s very special because the content of the pavilion is completely developed by the artist. Art is related to the space conceived by the building. It is not a museum. It is not a contemporary art gallery. They chose artists who have accumulated enough art vocabulary, but they Willing to retreat as an individual artist and help promote the single narrative of the pavilion,” Roces told Khaleej Times.
Bangorda portrays the biodiversity of the Philippines
The pavilion located in the sustainable development zone has a complex grid pattern, forming its unique facade. This complete steel structure includes water features, external elevator pipes and spiral ramps.
The design of the’Bangkota’ pavilion, or “coral reef” in ancient Tagalog, is to pay tribute to the natural resources provided by the Philippines, especially the architectural features of the native coral reefs of the archipelago.
Royal Pineda, the chief architect of Budji+Royal Architecture+Design, said that he wanted to show the Philippines as honestly and truthfully as possible.
“With sustainable development as the core, we consider showing the nature of the Philippines we organically own and define us as a country. We chose coral reefs because the Philippines is the center of the world’s biodiversity.’Bangkota’ shows some very progressive Things, but deeply rooted in who we are and who we are,” said the award-winning architect.
Pineda said that while being consistent with the theme of the Expo 2020 “Connecting Thoughts and Creating the Future”, the pavilion also emphasized that man is nature, which is the message of the place where he belongs.
anjana@khaleejtimes.com
Nandini Silka
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