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Khan’s design aims to create the thinnest, lightest, and strongest gate, while demonstrating the ancient tradition of’mashrabiya
Welcome to the surreal portal of Expo 2020 Dubai is more important than life. But there is a turning point here-even though it is 21 meters high and 30 meters wide, 99% of engineering marvels are made of air.
What is the weight of such a magnificent building? This is the power of futuristic design-the portal weighs only 18 tons.
Khan left a mark
British-Pakistani architect Asif Khan- The brain behind the huge Expo gate ——A clever fusion of ancient times Masrabia Design with ultra-futuristic concept.
In 2017, he was awarded the coveted member of the British Empire (MBE) for his contribution to architecture, which is a real testament to his genius. His studio was named “Architect of the Year” by the German Design Council in 2018.
As far as the greatest performance in the world is concerned, let us experience his subtle architectural design.
The carbon fiber bundle of the gate is as thin as paper, measuring only 10 mm.These filaments are carefully woven Masrabia The pattern creates countless tiny spaces, allowing air to pass through the gate.
what is Masrabia?
Masrabia Refers to traditional architectural elements closely related to the Islamic world and other regions, such as Turkey and Greece.
“This is the biggest Masrabia Once built.This entrance feels like it comes from the future, but the truth is that it comes from the past,” Khan told Khaliji Times In an exclusive interview.
Masrabia Filtering light and cooling space have long been an important model for Arab families.
Initially, this concept was introduced in the Middle Ages (5th century to late 15th century AD) and the last century.
It is most commonly used on the street side of buildings, but can also be used in internal courtyards.
Khan borrowed the concept of Islam Masrabia And give it a sense of the future.
He emphasized that such a large city gate was built as an entrance to the city in the early days. But his design focuses on the future, aiming to create the thinnest, lightest, and strongest gates, while showing ancient traditions.
Three such gates are now surprising-welcoming every visitor who walks into the world’s greatest show. They are also the last landmarks that people usually see.
mission completed
Khan enjoys the glory of fulfilling his mission, which has become a topic of the 182-day event. The theme of “connecting thoughts and creating the future” is inseparable from his creation.
“Turning this extraordinary spectacle into reality is a challenging task,” he said.
Khan’s team worked with several experts on the project.
“We pushed to the absolute limit of structural engineering and science. We contacted F1 automotive engineers because they processed carbon fiber to achieve this goal. But it was not enough.
“Then we had to work with engineers in the aviation industry who deal with carbon fiber components and light solar aircraft,” he said.
They redoubled their efforts to ensure that the entrance portal conveys the vision that the history of the World Expo meets the future.
Apart from the gate, the other main installations of the venue are from Asif Khan Studios in London.
Khan’s task was to design the entire 6km Expo public area.
It refers to all external urban spaces, sidewalks, canopies, benches, surrounding trees and lights, etc.
He said that this is of course a big project because he has to design a space for tourists to spend most of their time.
“I want to do something that people will never forget and have the essence of Dubai tradition,” he said.
Khan first came to Dubai in 2015 to understand the culture, Arab traditions and roots, so he can create extraordinary things.
“When I visited for the first time, the Expo site was a desert. I walked barefoot in that desert, and ideas started pouring in,” he said.
In retrospect, Khan learned countless lessons from his Expo experience.
“It is an honor to be able to participate in one of the biggest events in the history of the world,” he added.
Outstanding architect
Khan’s design explores how material and social innovation can fundamentally change the way people experience and shape the environment, through rigorously detailed and delivered output.
He is currently working at the New London Museum in West Smithfield and the Tselinny Center for Contemporary Culture in Almaty, Kazakhstan.
He designed the award-winning UK pavilion for the 2017 Astana Expo and the modern pavilion for the 2018 Pyeongchang Winter Olympics.
His famous projects include the “MegaFaces” pavilion at the Sochi Winter Olympics in 2014, which won the Cannes Innovation Lion Grand Prix; and the Coca-Cola Beatbox at the 2012 London Olympics, which was part of the Helsinki New Guggenheim International Competition The finalists are from 1,700 anonymous designs; and the summer pavilion of the Serpentine Gallery in the summer of 2016.
The heart behind the design
polling: What is the architectural inspiration behind the huge gate of Khan?
>> Gothic
>> Corinthian
>> Mashrabiya
>> Moors
hint: It starts with M.
ayaz@khaleejtimes.com
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