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Visually, women have made significant strides in the music industry as lead performers, but off the stage, the rest of the industry remains a male-dominated space. A A recent study Compiled by USC’s Annenberg Inclusion Initiative – which evaluates the gender, race and ethnicity of artists, songwriters and producers who appeared on the Billboard Hot 100 year-end list – found that between 2012 and 2020, women accounted for only 2.6%. In 2020 alone, that number reached 2%.
While some artists have found success making for themselves (Missy Elliot, Lorde and Lady Gaga Just to name a few) This list recognizes female music producers who put their energies behind the board. Figures such as Sylvia Robinson and Sylvia Moy were the driving force behind some of the most powerful and groundbreaking works in music history.
delia derbyshire
this doctor who The theme song is one of the most recognizable songs in television history, but how many fans know the woman behind it? British musician and composer Delia Derbyshire was commissioned to create an electronic version of the Ron Grainer soundtrack for the opening theme of the original sci-fi series as early as 1963, but it wasn’t until 2013 Years before her role was widely recognized.
Derbyshire’s fascination with creating sound out of everyday objects led her to a career in music, first in the studios of Decca Records and then, occasionally, at the BBC Radiophonic Workshop. It was there that she and her team produced all the famous BBC background music and side effects, helping to lay the foundation for much of the sound design heard on TV and radio today.
Often hailed as “the unsung heroine of British electronic music”, Delia would become part of the London art scene in the 60s, posting sound collages and joining experimental electronic cult group White Noise.
For musicians like Aphex Twin, chemical brothersand Orbital, whose influence has changed the face of electronic music by forcing them to break through the barriers of types and sources of sound.
sylvia robinson
“Mother of Hip Hop” needs no other introduction. Sylvia Robinson co-founded her own record label, Sugar Hill Records, with her husband Joe in 1979, and during her tenure as CEO, Robinson made some contributions to hip-hop Greatest contributions, including Sugar Hill Gang’s “Rapper’s Delight” and Grandmaster Flash and The Furious Five’s “information“
Robinson’s influence is immeasurable, and if it weren’t for her insistence that The Flash and the Furious Five continue to write “The Message,” the world would never be able to hear such important sociopolitical music. Her instincts have served her well, and the track is currently the first rap song to be added to the National Recording Registry at the Library of Congress.
Her mantra is “don’t copy what exists… come up with something new and different”, a mantra we should all live by.
Susan Charney
America’s first female synthesizer hero, Suzanne Ciani, was one of the few women to lead the innovation of electronic music in the ’70s. Armed with her weapon of choice, the Buchla synthesizer, Ciana toured with various labels, but they didn’t know what to make of a female artist who neither sang nor played a traditional instrument.
She found a more receptive audience (and lucrative career) in advertising, composing voices for TV commercials. Ciani started his own song company and championed the iconic Coca-Cola “pop and pour” sound before eventually returning to music. The move proved right for Ciani, who became the first female solo composer for a Hollywood film when she wrote the score for the Lily Tomlin film, incredible shrunken woman.
As a solo artist, Ciani became a pioneer of new age music in the ’80s, releasing more than 20 albums, including seven wavesand speed of lovealong with live four-channelshowing her Buchla modular performance.
Ethel Gabriel
Ethel Gabriel is one of the most prolific music industry professionals most people have never heard of. One of the first female music producers and A&R executives, Gabrielle has worked on more than 2,500 recordings (original or repackaged) during her impressive career.
As A&R Producer, Gabriel not only selected the songs, arrangements and supporting musicians, but she also oversaw the recording process.work with people you like Elvis PresleyChet Atkins, Pérez Prado, and Roger Whitaker, Gabriel produced six Grammy-winning albums (including Tommy Dorsey / Frank Sinatra The Complete Sessions) during her four-decade tenure at RCA Records.
While in college, she started out as a record tester, then started producing A&R, and eventually became vice president before leaving the label in 1984. In 1959, she made history when she became the first female music producer to receive an RIAA Gold Record. Then in 1997, Women in Music Inc honored her impact on the music industry by honoring her with the title of the industry’s first A&R producer.
Sylvia Moy
The world thanks Sylvia Moy not only for opening doors for women in the industry as Motown’s first female producer, but also for helping stevie wonder Step through the doors of the historic label. As Wonder hit puberty and his voice began to weaken, Moy made a deal with Berry Gordy Jr. that if Wonder would write him a hit song, he would keep working. In 1965, Moy co-wrote Wonder’s hit “Uptight (Everything’s Alright)” with Henry Cosby. Not only did she win the bet, but Moy secured Wonder’s place on the record label and a trusted spot on Motown’s creative team.
In addition to producing and writing for numerous musicians such as Marvin Gaye After Michael Jackson, Moy went on to write and/or produce tracks with Cosby for Wonder such as “My Cherie Amour”, “I Was Made To Love Her” and “Never Had A Dream Come True”.
During his groundbreaking work at Motown, Moy also decided to give back to the community and founded the nonprofit Center For Creative Communications, a studio and creative space for underprivileged children in Detroit. In 2006, Moy was inducted into the Songwriters Hall of Fame along with Cosby.
Cordell Jackson
No list of groundbreaking female producers is complete without rock pioneer Cordell Jackson. Rocking in her signature ball gown, the rock guitarist can outshine the best of them, but her influence in the music industry is lesser known. Her legacy is patience and persistence.
initially banned from joining Sun RecordsA stable of male artists, Chet Atkins of RCA Records encouraged her to start her own record label, which is exactly what she did. Jackson founded Moon Records in 1956 and has never looked back. The move made Jackson the first woman to produce, design, arrange and promote her own music under her own label, and when she passed away in 2004, Moon Records went on to become Memphis’ oldest continuously operating label.
sylvia massey
Like many of her peers, Sylvia Massy has a circuitous route to the Production Booth, where she will be one of the few female music producers in rock and metal. Massy started out playing in punk and ska bands in the Bay Area before moving to the boardroom.
After moving to Los Angeles in the 80’s, Massy started working as an engineer at Larrabee Sound, working with Prince and rick rubin, but her big break came after working on the debut album of comedy rocker Green Jellÿ.From there, she was linked with the drummer’s other band, Tool, and hosted their double-platinum 1993 album countercurrent.
Since then, she’s racked up an impressive list of credits to her name, with everyone from Red chiliSevendust, Powerman 5000 and thunder cat. Massy continues to work as an independent producer, educator and music promoter at her prestigious RadioStar Studios in Oregon.
Linda Perry
The multi-platinum record producer began his career as a frontman and songwriter for bands non 4 blonde, most memorable was their smash hit “What Happened”. Turning his hand to production, Perry quickly established himself as a sought-after producer of the early pop music that would define that decade.Her knack for translating personal experiences into professional popcraft has been the key to many pop stars’ second acts, such as gwen stefaniChristina Aguilera and pink.
After the huge success of producing Pink Misunderstand album, Perry continues work on Christina Aguilera and Gwen Stefani’s ‘Beautiful’What are you waiting for?Since then, her career has seen her work with Britney Spears, Alicia Keys and AdeleMost recently in 2019, she made history by becoming the first woman (solo) to be nominated for a Grammy for Producer of the Year, Non-Classical Music since 1999, for her work on documentary soundtracks serve like a girl About female veterans. To date, no woman has won the award.
Sonia Pottinger
in a competitive world Reggae Music Production, Sonia Pottinger has managed to carve out a space for herself and others as Jamaica’s first female music producer. When she entered the industry, she worked with her husband, who recorded for the Maytals, Derrick Harriott and Lord Tanamo, and after they separated, Pottinger set up his own shop and built a studio and pressing factory.
She began her career as a record producer in 1965 with the single “Every Night” by the duo of Joe White and Chuck Joseph’s, before launching her own labels: Gay Feet, Excel, Pep, High Note and Gospel Glory Stamp title. From rocksteady to roots reggae, Pottinger has his finger on the pulse, producing hits for The Ethiopians to the Hippy Boys, most notably Culture’s 1978 album, harder than others.
During her career, she was also one of the few producers at the time to help put female talent center stage, from Judy Mowat and Lorna Bennett to Phyllis Dillon and Ka Lynn David. Even after his death in 2010, Pottinger remained a well-respected figure in the industry with his talent and business acumen.
susan rogers
Although she is best known as princeLongtime engineer Susan Rogers took an unorthodox studio path. She dropped out of high school and taught herself how to be a sound engineer and audio technician. In her early 20s, she worked with Crosby, Stills and Nash before hooking up with Prince during his reign in the ’80s. Understanding the power of legacy, Rogers also initiated the framework of Prince’s now famous vault by beginning the process of collecting and cataloging studio and field recordings.
As a producer, she produced hits for a variety of artists, from Laurie Anderson and David Byrne, Selena to the smash hit album of Barenaked Ladies trick, and then turned its attention to academics. Today, Rogers serves as an associate professor at the Berklee College of Music, bringing her expertise to bear in the music production, engineering and liberal arts departments.
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