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Bollywood Tell us love is mushy, love is dreamy, love is what happens when you spread your arms in the air and the violin starts playing in the background. Call it delusional or Bollywood-influenced, but this is the love we all aspire to be a part of.
However, love has changed and rom-coms are disappearing to the point where we talk about them in the past tense, and maybe that’s also because love is changing today and the portrayal of it is evolving. Today’s movies reflect the complexities of real everyday life, with its happy days and its tragedies. To understand how much rom-com has changed in Hindi cinema and its nostalgia, indianexpress.com interviewed some of the most beloved rom-com actors and filmmakers analyzing Bollywood rom-com The beauty of things and why we crave them so much today.
queen of bollywood romantic comedy, Karina Kapoor Khan, who gave us cherished films like Jab We Met, Ki and Ka, Ek Main Aur Ek Tu and Mujhse Dosti Karoge, said the number of romcoms has declined because the portrayal of love has evolved and “we’re pushing the boundaries”, Also take her latest film Laal Singh Chaddha as an example. She said, “It’s been a while since I’ve done a proper rom-com, but what is a rom-com, the Jab We Met type? I haven’t done a movie like that lately. , we are pushing the boundaries today. Just like Rupa’s character in Laal Singh Chadha, is also very brave about the fact of how her life ended and how it ended. In a way, it’s a different genre, is Yeah, it’s been a while since I’ve seen a film as muddled and jumpy as The Assassin We Met and Hum Tum Space.”
Because we call Kareena the queen of rom-coms, her husband and actor Saif Ali Khan is the unabashed nawab of the love genre. However, after appearing in a string of rom-coms, one of which, The Hum, also won him a National Award, the actor decided it was time to start experimenting, as he feels he’s now “grown up” to rom-coms type.
When asked why he thought he had moved beyond the romantic comedy genre, he said, “I shouldn’t say that, romantic movies have changed. In those times, there was a certain language in the movies, and I thought I was playing a certain The characters are stretched, but personally I’ve grown beyond it. I think people have to write it in an age-appropriate way, but rom-coms are always great.”
Ashwiny Iyer Tiwari, a filmmaker who rose to fame with 2017’s entrenched romantic comedy Bareilly Ki Barfi, said storytellers will always reflect the times. If there are no love stories on screen, maybe it’s because of the way people start loving. There’s no patience on screen, no peace, and therefore less romance.
“As storytellers, we’re very susceptible to what’s going on outside. Maybe the audience, the generation is impatient, no one wants to watch love. But I think we’re going to come back to that now because so much has happened. There are many things, need a little calm.”
As she returned to the romantic drama scene with her latest, Faadu, the filmmaker said she started getting calls from people saying, “We’re finally getting a drama, a love story, and it’s calming down.”
“There’s a lack of love (out there). You need it in this fast-paced life, but when you find it, you’re too busy on the phone,” she added.
Not all reasons why love stories are less on screen have to do with social change. For some, like filmmaker Sidharth Anand, it’s a personal evolution. Before he transitioned into action with 2015’s Bang Bang, Sidharth was known for producing big rom-com dramas ranging from Salaam Namaste, Ta Ra Rum Pum, Bachna Ae Haseeno to his last of the genre, Anjaana Anjaani.
But then Sidharth started turning to action “organically” and jumped into Bang Bang when someone approached him. “I just finished Anjana Anjani and am thinking about my next rom-com. It’s just fate,” he said. But will the filmmaker who gave countless pop culture moments through his romantic comedies return to the genre? Sidharth says, at least for now – no.
“Romantic comedies are a no-no for me, at least for now. I’m enjoying it. I’m a kid in a candy store. I start with the best team in the world, the best action director, the best production company Make an action movie.”
Fraternity is celebrating romance with Smriti Mundhra’s romantic flick, which streams on Netflix starting today. In her four-part documentary series, Smriti aims to pay homage to the YRF rom-com that changed the way Indians love it. Asked if she felt these movies ruined the reality of love in everyday life? She said, “If you’re not chasing someone on a train, what is love anyway?”
Smriti then talked about how rom-coms give viewers a “longing for love.” She said, “I think when you’re young, or at any point in your life, it’s good to have an ideal idea of love. That’s what makes life interesting. But in reality, people also Recognize that there is love and romance in everyday life, such as making a cup of tea or coffee for your partner in the morning. It is almost as romantic as dropping rose petals from a helicopter, especially when you have children and someone gives it to you in bed. You bring a cup of coffee and it’s very romantic. Having a romantic relationship is fun and part of life, and that’s what Hindi movies, especially Yash Chopra, gave us.”
Asked if she craves rom-coms at a time when the world is behind “edgy content,” Smriti said, “Of course I would. It’s my favorite genre, and many of my favorite Indian films are romantic comedies and Romance drama. While I appreciate a certain level of realism in filmmaking, there’s also something very funny about an idealized version of a romance. A completely unrealistic and unrealistic version of a romance. That’s always welcome, especially It’s when it’s done well.”
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