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Unlocked poster; Image Courtesy: Netflix
As normal everyday life crumbles, it becomes fear itself. It’s just that we dropped our phones.this Netflix Movie Unlocked is a thriller that creates tension and dread by digging into the audience’s crevices with the material of a smartphone, a tiny device that holds all of our lives in our hands.
About the video:
The Netflix movie “Unlocked” is a reality thriller about an ordinary office worker who loses his smartphone containing all his personal information and begins to face threats to his entire daily life. Director Kim Tae-joon’s debut feature film is based on the novel of the same name by Japanese writer Akira Shiga, which was also made into a movie in Japan. The director presents a so-called “realistic thriller” by presenting the smartphone as a “necessity” in modern society and becoming the daily life of “another me”, and the audience facing the reality of the movie.
beginning:
Therefore, the film starts with a sense of “reality” and “sympathy” and gradually moves towards “horror”. The story stretches from the theme of losing a smartphone that everyone has experienced at least once, to a life-threatening fear based on realism. Because it is the material and experience most closely related to the viewer (the viewer), it is the one that most pierces the viewer’s reality and creates a chilling sense of dread.
Inevitably, in this era, the “smartphone” is not just a means of contact, but has become a means of dominating all daily life such as communication, finance, transportation, and work, and continuing life. So many people are dependent on their smartphones and feel anxious if they don’t have them in their hands. The anxiety of not knowing when and how my information would be leaked, and that my life might be lost without my knowledge, was buried in convenience and familiarity and forgotten.
it’s swan And Chun Yuxi:
The string of tension derived from the material based on empathy is gradually tightened, such as the process of Junying (played by Im Siwan) gradually actively tightening Nami (Qian Yuxi), the way he portrays the people around him and his conflicts with them, and the accessible story. Of course, even that sense of realism fades. As compelling as the material in the film is the performance of actor Lim Si-wan, who has gradually amassed his film credits while possessing scalability as an actor. Here, Chun Woo-hee calmly portrays the character of Nami, an ordinary citizen who suddenly becomes a victim in everyday life, in stark contrast to Im Si-wan’s Joon-young, instilling the film’s sense of dread and realism.
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