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Few filmmakers working today have an aesthetic as instantly recognizable as Wes Anderson’s.his Filmography has taken viewers from Texas roadside motels to lavish European resorts, with the occasional detour to an animated world where dogs and foxes can converse. But no matter where Anderson films, you can always tell you’re watching one of his films by the attention to detail, tone and impeccable interior design.
Anderson’s indie-film superstar status has prompted many fans to ask about his influence. While Anderson isn’t as outspoken about his cinephilia as some of his directorial peers, he’s been known to occasionally give an opinion when asked about his favorite movies — and is often surprised when he does. .
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Interestingly, Anderson’s list of movies that shaped him isn’t filled with the kind of whimsical flicks you might think he’d like. In some cases(looking at you, quentin tarantino), it’s easy to connect the dots and reverse engineer a filmmaker’s aesthetic based on the films he loves. But Anderson’s interests are so wide-ranging that his visual flamboyance and his taste for film almost seem like entirely different developments. Of course, that doesn’t change the fact that Anderson has excellent taste. From the legendary director’s classics to relatively little-known recent entries, his favorite movies are clearly the choice of those who take cinema seriously.
Fans got a better look at Anderson’s taste last year when he voted for the decennial “Sight & Sound” Best Movies of All Time Voted. Instead of picking his 10 favorite films, he decided to focus on French-produced films. He included that lovely note with his picks that his character has written on vintage stationery countless times.
“Like most of us (I suppose?), I don’t actually have ten favorite movies,” Anderson wrote. “I thought I’d pick ten favorite Frenchmen (since I made this list in France).”
This updated list does not represent Anderson’s final rankings, but rather tracks his picks for noteworthy films. Anyone looking to tide over “Asteroid City” and “The Amazing Story of Henry Sugar” when they premiere later this year should dive in.
Edited by William Earl.
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