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It’s been a productive year for Brouhaha Entertainment. The London and Sydney-based production team, which has produced five feature films and one TV series, will take part in the Berlinale with two dramas in the works, both featuring stellar casts, And it has attracted people’s attention. So have they slept in the past 12 months? “It’s crazy,” laughs company co-founder Gabrielle Tana.
The self-proclaimed “team of excellence” is UK-based Tana, who started her career at London’s The Gate cinema before going on to make such films as Filomena, the Invisible Woman and to dig — with Australian Troy Lum, founder of distributor Hopscotch Features, and his Hopscotch partners/producers and matrix Executive producer Andrew Mason.
Tana and Lum hit it off after Hopscotch distribution invisible woman and Filomena In Australia. They began collaborating five years ago when Lum ventured into production. Brouhaha’s joint venture, formalized in summer 2021, is backed by the British Film Institute’s Calculus Creative Content EIS Fund, launched in 2019 to support the growth of independent production companies.
The agency doesn’t plan to continue producing at this pace — which Lum attributes to a “bottleneck” in the project since the pandemic eased — but aims to stick to two or three features or series a year.
There is no set method for the Brouhaha project.Titles include English-language debut by Brazilian Karim Aïnouz torcha gory psychological horror set in a Tudor court is in post-production, to a 1980s adult series boy devours the universe, Set in working-class Australia, it’s due out on Netflix this year.
besides convert, an action film co-produced with Auckland-based Jump Film and Television and starring Guy Pearce, follows a lay missionary who arrives in the British settlement of New Zealand in the 1830s and is caught between warring Maori tribes . British outfit Mister Smith Entertainment represented sales, with the company eyeing the fall premiere.
Other upcoming films include Kristen Stewart’s drama about influential American author and activist Susan Sontag, and Anton Corbyn’s Switzerlandstarring Helen Mirren as writer Patricia Highsmith, FilmNation is launching on the European film market.
There are also more TV dramas on Wenhuo.in development love and virtue, based on the novel by Australian author Diana Reed, directed by Kate Dennis. It chose two more Australian books — weekend Charlotte Wood is adapting for the UK, Craig Silvey bee.
“We’re shifting a lot of focus to TV,” Lum said. “Don’t lose sight of what we do in independent films, it’s our heartbeat, but some of the stories we want to tell naturally fit into a longer format.”
Being spread across two continents allows this independent institution to draw on the best of both countries. “The UK has great writing and directing talent,” Lum said. “One of the things that the pandemic has done is bring a lot of Australian talent back home and wanting to work in Australia. We’ve got streaming coming into the market and talking very seriously about the government introducing a quota system for local content. It feels energized, like a A new way of doing things.”
growing team
In addition to the founders, the team includes four other employees who work in development and post-production. Producer Carolyn Marks Blackwood also works frequently with Brouhaha. There are plans to hire more staff, but nothing to expand into sales or distribution. “We didn’t have the time, sales wasn’t our specialty, and there were already good people doing it,” Lum said.
Producers have had positive experiences working with Netflix, but agree that financial incentives should be offered to turn the hit around. “[Streaming] It’s staying alive, but it does need some recalibration,” Tana said. “There are more platforms now, and that might make a difference. Netflix is the only one — it will be interesting to see how it turns out as the competition intensifies. If a title performs well, it should be rewarded. “
Unsurprisingly, financing remains the biggest headache. “It’s like reinventing the wheel,” Tana said.both Switzerland And the Sontag project has yet to finalize funding.
“If you think too much about how it’s going to be done, then you’re pushing yourself into an impossible corner,” Lum asserts. “At some point, every project feels impossible. The true art of making It’s about making the impossible possible. That’s pretty much what we do.”
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