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Italy 2022 hits several milestones on the international entertainment scene: an Italian play, Stefano Massini’s “The Lehman Trilogy’ won five Tony Awards, an award the country has never conquered; Roman rock band Måneskin were nominated for a Grammy; and Italian film exports have sprung up just as the domestic box office has plummeted this year.
Massini’s five-hour script, which follows the Lehman trio from their arrival in New York from Germany in 1844 to the bankruptcy of their global financial services firm in 2008, prompted Sam Mendes An English adaptation was staged, which ended up in Tonys. Now, producers Domenico Procacci and Lorenzo Mieli are developing a high-end TV series based on his script, with Florian Zeller (“Father,” “Son”) directing. Procacci, with typepraising Masini for managing to “effectively tell a story without any Italian elements, because it takes place mostly in America.”
So is Luca Guadagnino’s cannibal romance “Bones,” starring Timothée Chalamet and Taylor Russell as “The Eater” , they become lovers on a road trip through 1980s America. Guadagnino’s first film set in the United States won two awards at Venice before becoming a sensation elsewhere in the world, with Venice president Alberto Barbera hailing it as “a About American movies, it manages to tell American things that even American directors haven’t been able to say.”
“Internationalization” is becoming the mantra of the Italian film industry. Although ticket sales at local cinemas are expected to reach 45 million visits by 2022, they are down more than 50% compared to pre-pandemic 2019 – when they hit 100 million – said François François, president of the Italian Film Association. Francesco Rutelli recently touted figures showing that Italian cinema exports have more than doubled in recent years. While Italy exported just 52 films in 2017, it has more than doubled its global distribution to 118 by 2021, and the number continues to rise, he said. Upcoming Italian films in the U.S. include “L’Immensità” starring Emanuele Crialese and Penelope Cruz and the male-female drama “Eight Hills” – the latter truly reflects the country’s international mindset. Although directed by Belgian duo Felix van Groeningen and Charlotte Vandermeersch, Eight Hills is an entirely Italian-language film produced by Italy’s Wildside. Both games will be released at Sundance in the US in January.
But when it comes to Italian artists breaking through in the US, 2022 has no comparison to Måneskin.
Since winning the Eurovision Song Contest 18 months ago, the four Roman rockers have conquered the world with their natural talent, swagger and unfiltered sex appeal. In 2022, they became the first Italian band to win Best Alternative Video at the MTV Video Music Awards and also won the American Music Award for Favorite Rock for their cover of the original Four Seasons recording “Beggin” Song Award. Before embarking on their first North American tour, Måneskin also opened for the Rolling Stones in Las Vegas, gained 25 million Spotify subscribers and was nominated for a Grammy for Best New Artist, among other career milestones this year.
For those who thought Måneskin was just a hollow Gucci-clad glam rock band, don’t forget they stood up for Ukraine by writing “We’re Gonna Dance on Gasoline,” the tune that kicked off their first Coachella performance, frontman Damiano David yelled “fuck Putin!” on a stage in the Mojave desert in the middle of the new song.
In late September, Giorgia Meloni and her Brothers Italia party, with its neo-fascist roots, emerged as big winners in the country’s national elections, Damiano commented on an Instagram post: Sad day for my country.”
Coincidentally, around the same time Meloni took the helm of the country, cameras began filming the Sky drama “M” at the revamped Cinecittà Studios, documenting Benito Mussolini’s rise to power, the show Directed by British director Joe Wright.
“Joe fell in love with the script because it wasn’t [just] About Italy,” producer Lorenzo Mieli told typeThe type of narrative he chose was “a very modern pop opera about Mussolini, the inventor of what we call populism today, not just fascism,” he added, noting that Mussolini Sorini was the man who gave birth to the first germs of populist politics. However, Meli warned that populism has now become an evil that “poisons the whole of the West, not just Italy”.
Still, Wright – who directed the Winston Churchill drama “Darkest Hour” – and Gary Oldman won an Oscar for his portrayal of the British prime minister – has now switched historical aspects to direct what Milley described as “primitive.” “Scarface” and [experimental 1929 Soviet silent documentary] Dziga Vertov’s “Man With a Movie Camera,” with elements of 1990s British rave culture and The Chemical Brothers soundtrack, says something. It makes the “M” a symbol of the cosmopolitan zeitgeist in Italian popular culture today.
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