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there are two harrison fords Indiana Jones: Fate Dial: In 1944, a digitally de-aging adventurer battles the Nazis for looted artifacts, and a retired college professor reluctantly returns to life in high-speed chases in 1969. Who gets the topless scene in the movie? That would be Indy in 1969, played by an 80-year-old contemporary Ford who wakes up in boxers and walks through Indy’s New York apartment.
The scene wasn’t played out for cheap, corny jokes, and it didn’t look like Ford had spent months getting growth hormone injections or recovering from invasive cosmetic treatments to prepare. No, this Indy looks like his handsome self, just older, like life kicked him a bit, which is what happens if any of us are lucky enough to live to be 70 or older. We’ve seen this picture of the movie star since his beautiful youth allowed to age, and it’s a rare and welcome one. At the film’s press conference, Ford praised his presence in the film, quipping: “I’m so lucky to have this body. Thank you for your interest.”
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The last publicly accepted form of prejudice in Hollywood is ageism, and those who wouldn’t think to publicly disparage someone’s gender, race, or sexual orientation feel comfortable using words like “geezer” to insult the faces of actors who are changing Or Physique, or a writer or executive who suggests it’s a business it’s time to hang up on it.
France has always had a more mature view of aging than America, and the Cannes Film Festival is the perfect place to find an aging worldview, and this year, stars like Ford, Helen Mirren, Michael Douglas and Catherine Deneuve are like a wave of warmth The breeze blows from the Riviera, showing the audience an image of the post-70s life that reflects beauty, joy and joy.
“I’m older than the festival,” mused Douglas, 78, as he accepted the honorary Palme d’Or at the opening ceremony, as the audience watched a clip showing his roles in films such as wall street, instinct and behind the candlestick(At 76, the festival itself is in its prime.)
Mirren, 77, who attended opening night as a L’Oréal ambassador, had freshly dyed burgundy to complement her custom blue Del Core taffeta gown, waving the words “# Worth It,” a nod to the L’Oréal Paris slogan. Some who followed the festival online misinterpreted Mirren’s fandom as a statement about Johnny Depp, whose films, Jeanne Dubarry, at the Cannes opening, but the actress had a more practical explanation: “I picked up the fan because I was hot,” she said. If Mirren is making a political statement, it’s her way of bringing back the blue hair, which used to be a way of insulting older women. For young people, blue hair has been a cool counterculture icon for years, with young celebrities like Billie Eilish and Ciara sporting blue hair. At Mirren, it’s a punk rock punch for those who want older women to be invisible.
Deneuve, image in Alain Cavalier’s, 1968 La Chamade (heartbeat) Dazzling on the official poster of this year’s Cannes Film Festival and enveloping the Palais des Nations with transcendent glamour, the festival kicked off with a recitation of “Hope,” a poem by Ukrainian poet Lesya Ukrainka, Acknowledging that the Russian invasion took place in Ukraine, on the other side of Europe. Deneuve, 79, has made nine films in the past five years.
It’s important not only for the cute “let’s pat grandma on the head” sentiment, but also because it’s so rare. According to a USC Annenberg Inclusion Initiative study released in February, only 10 of the 100 highest-grossing films due in 2022 feature a woman 45 or older as a lead or co-lead in theaters; men in the same age group. (Hollywood, like other civilizations, is crueler to women.) Annenberg’s study didn’t break down the over-45 population further to see how often actors over 70 lead the action. However, to ignore those actors, and the writers, directors, producers, and craftsmen who have lived such lives, is a loss to the film industry and wider culture.
Martin Scorsese, 80, is attending the festival to premiere his new film, Killer of the Flower Moonrecently told deadline He feels most creative, like he too feels the ticking clock of his own death. “I wanted to tell a story, but I didn’t have the time,” Scorsese said. At least in Cannes, we can take our time.
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