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As we all know, the Korean culture known as the Hallyu wave has swept the world. Whether it’s the success of K-pop groups or Bong Joon-ho’s Parasite, the export of Korean goods and entertainment has been a huge success with the support of the government.However, despite the addictive storyline behind korean drama or jaw-dropping films filled with violence and moral lessons, recent Korean history has played a key role in understanding the mindset of directors approaching filmmaking.Some of the greatest filmmakers in contemporary Korean history have landed on government blacklist In recognition of their social and political critique in films showing how upheaval affects everyday life.
But few people know, especially if they are not familiar with contemporary Korean history, that Korean movies and TV shows are by-products of a turbulent contemporary history. South Korea has a relatively new democratic government compared to the West, as the decades following the Korean War saw a series of highly traumatic dictatorships. For many South Koreans who left during times of war and violence, the country is what it is today, be it visually, culturally, or even the culinary landscape, thanks to major development projects in the late nineties and 2000s. Completely unrecognizable. This is how Korean films reflect these concepts through the medium of art.
dealing with tragic contemporary history
Netflix
Before the Korean War, the Korean peninsula was a unified country; there was no North or South Korea. The Korean War marked a painful turn because it marked the point of division where families and histories were forcibly divided. The region is still affected by Japanese colonialism, as cultural genocide was a big concept in that era, and in the post-war period, the controversial Park Chung-hee dictatorship began. South Korea didn’t become a democracy until 1987, ending decades of censorship, massacres and military rule.
When it comes to movies, several important Korean movies and TV series are about the country’s past and how people deal with it. Park Chan-wook finds a breakthrough In 2000 with joint security area, which is about a murder in the demilitarized zone separating North and South Korea.Almost all of Bong Joon-ho’s film works have the meaning of commenting on the current political and social issues in South Korea, which may originate from the unique background of South Korea, whether it is the participation of the United States Owner or rural and modern perspective Tamago.
crash land on youOne of the hottest Korean dramas of recent years centers on a South Korean businesswoman who ends up in North Korea after a paragliding accident. Despite her southern origins, she falls in love with a North Korean military commander, effectively making their relationship a metaphor for imagined possibilities of what could happen to good relations between North and South Korea.even in this romance crash land on youeven Park Chan-wook’s maidhistory provides a deeper context for understanding what is happening.
Artfully tell important stories
New Rattan Films
Whether through action sequences, lengthy monologues that could easily be reduced to character rants, or black comedy, South Korean directors and writers are bringing the past together with the present. Some, such as Li Cangdong, deftly depicting the lives of people not usually represented in mainstream Korean entertainment, raising the profile of systemic issues. But for many films, it’s impossible to deny the historical context that ultimately leads to many issues driving multiple plot points. Even in K-dramas, this thread runs through the entire storyline and characters.
In Korean, the word “Han” become a symbolic measure What this symbolizes in art.movie like old boys has become a textbook example of what that might look like: a protagonist, driven by rage and grief, through a series of events that could end in major bloodshed. However, concepts like “Han”, or a term that seems to follow Koreans and their diaspora as a definition of sadness, must be looked at with a critical eye. Concepts like han were a colonial invention; when the Japanese occupied the Korean peninsula, that was the origin of the Han, as Japanese advertisements and literature were used to describe the Koreans, defining them as poor, full of sorrow, and Han. There’s a lot of joy depicted in Korean entertainment, even if some of the biggest filmmakers from the region often focus on harder topics.
It is important to consume international films judiciously, using lessons learned to exploit non-Western frameworks and dig deeper. Going to see a movie with subtitles is just the first step, but Korean movies are one example of this. It takes a conscious understanding of the unique language of grief and what it means to other people. When one does this, they unlock entirely different approaches to storytelling that are subtly done, often with universal elements indicative of human experience.
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