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“We tend toward fanaticism”


Elvis Presley – nominated eight Oscar prize Including Best Picture – A bold look at the life of Elvis Presley while capturing the zeitgeist of the era.

But Oscar-nominated editors and longtime Baz Luhrmann collaborators Jonathan Redmond and Matt Villa say the director believes in his film, written by Austin Bart Austin Butler stars as the King of Rock and Roll, and it won’t be a traditional biopic.

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Luhrmann has crafted a film that combines stirring performances, drama, and archival material, while using Elvis Presley’s manager, Colonel Parker (Tom Hanks), as a narrative device to tell the story. The editors say the experience begins with 650 hours of principal photography and another 350 hours of archival material. Each performance is treated as an action film, telling a different part of Presley’s story while showcasing the flamboyant singer; feature, which helped launch his career. “We really love the frenzy of that show, showing the electricity on stage, and the fact that it’s never been seen before,” Villa said, adding that they cut the show in a fast, exciting and fun way. had a show.

Jonathan Redmond and Matt Villa

Jonathan Redmond and Matt Villa

At Larswood Park a few years later, Presley’s performance was one of defiance of the Colonel’s command. “We started slowly and made Colonel Parker feel like he was going to do the right thing,” Villa said. “When he started to waver and we realized he was going to be true to himself, it was going to be pretty lame and sexy and dynamic.”

When Presley arrived in Las Vegas and performed at what was then the International Hotel, editors switched between his on-stage performance of electronic “Suspicious Thoughts” and the Colonel, as he was negotiating a multi-year residency with the audience. “Colonel Parker was signing Elvis to life when Elvis was on stage giving his most extraordinary performance,” Vera said.

The editors marveled at the Oscar-nominated Butler and his performance throughout the film, with Redmond noting, “Sometimes it’s really hard to take away from Austin’s performance. But Buzz is very clear that we’re not making music. We’re going to make a movie. We’re making a narrative drama with a lot of music.”

Meticulous research and archival material was used from pre-production to build templates for performance sequences and to serve as placeholders during production. The footage was also used in various parts of the film, including combining it with Butler’s footage in the “Burning Love” montage.redmond pointed out Elvis Presley Studio Warner Bros. owns the rights elvis tour and Elvis: That’s the way it is“They were good enough to go back to the salt mines and dig up the original camera negatives and scan all the material, so we have access to a huge amount of never-before-used footage from these concerts,” he said.

They also reviewed archival footage of the film’s heartrending final performance, “Unchained Melody,” which was filmed a few months before Presley died in 1977. Redmond admitted that the estate of Elvis Presley was initially hesitant to allow it because it was clear something was wrong, despite it being a powerful performance. “He sings like a god, and Buzz is passionate about having Elvis say the last word in the movie.”

This story first appeared in the February stand-alone issue of The Hollywood Reporter magazine. pick up the magazine, Click here to subscribe.

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