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New exhibition of “Dragon and Phoenix” at Louvre Abu Dhabi explores cultural exchanges between China and Iran

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The Louvre Abu Dhabi announced that the second international exhibition of Dragon and Phoenix in 2021-the century of communication between China and the Islamic world, will be held from October 6, 2021 to February 12, 2022.

The exhibition is hosted by the Louvre Abu Dhabi in cooperation with the National Museum of Asian Art-Jimei, and supported by the French Museum. It will showcase the cultural and artistic exchanges between China and Islamic civilizations in the 8th to 18th centuries. Visitors will be able to explore cultural connections through more than 200 artworks from the Louvre Abu Dhabi, the Guimet Museum and 12 international museums and institutions, as well as a wide range of cultural projects.

Dragon and Phoenix place the cultural relics of dialogue in two worlds rich in culture, art and science: China (dragon) and Islamic world (phoenix). The exhibition showcases the connections, artistic influences and extraordinary unknown stories of more than 800 years of exchange through land and sea trade routes from the establishment of the first Arab commercial colony in Guangzhou in the 8th century to the beginning of the 18th century. The exhibition extends from Mashrik and the Arabian Peninsula, through Central Asia and the Indian Ocean, and then to China and Vietnam, showing a long and rich history of mutual appreciation and influence in material and non-material exchanges.

Longfeng specifically aims to highlight non-traditional art and cultural production centers. Through the museum’s physical exhibitions and online experiences, it will reveal how centuries of cultural exchanges and prolific artworks between the two worlds reveal the dominance of the coveted luxury goods and artworks between the 8th and 18th centuries .

The exhibition was curated by Sophie Makariou, Chairman of the Kyrgyz National Museum of Art, and supported by Dr. Souraya Noujaim, Director of Science, Curatorial and Collection Management, Louvre Abu Dhabi, and Guilhem André, Chief Curator for Asia and Asia, Louvre Abu Dhabi . Medieval art.

Mohamed Khalifa Al Mubarak, Chairman of the Ministry of Culture and Tourism of Abu Dhabi, said: “The Louvre Abu Dhabi and its respected partner museum have earned a well-deserved reputation for hosting world-class, incisive exhibitions that reveal the previously unknown. Or underestimate cultural interaction and exchange. Given Abu Dhabi’s position as a historical and continuing crossroads of trade, art and culture, this exhibition at the Louvre in Abu Dhabi seems particularly appropriate.”

Manuel Rabat, the curator of Louvre Abu Dhabi, said: “Dragon and Phoenix-the century of communication between China and the Islamic world continues our mission to tell stories of cultural connections, through the prolific artistic creation of these works Explore the exchanges between China and the Islamic world. Culture.”

Sophie Makariou, Director of the Kyrgyzstan Institute of Asian Art, said: “This exhibition tells the story of two civilizations-the Islamic world and the ancient Chinese world. There is a long-standing exchange between these two cultural centers. History began after the revelation of the Quran, with the establishment of Damascus, and continued unabated after the formation of the Islamic Caliphate. Until the 15th century, the trade route created by Ferdinand von Richtofen was ” The “Silk Road” is an arduous but indispensable channel for exchanges between people, ideas, cultures and products. “Dragon and Phoenix—A Century of Communication between China and the Islamic World” tells about these cultures that took place in more than eight centuries. The story of communication.”

Dr. Souraya Noujaim, director of science, curatorial and collection management at the Louvre Abu Dhabi, said: “The exhibition strengthens the role of the Louvre Abu Dhabi in highlighting cross-cultural relations and the need for new methods in the field of historical research. For nearly a thousand years-from the 8th century to the beginning of the 18th century-these two cultures were intertwined through trade, scientific curiosity and artistic production. Everyone observed and inspired the other. Our mutual influence and inspiration The story ended on the cusp of the 18th century, when alternative models with new aesthetics appeared.”

More than 200 cultural relics are distributed in five parts. The first four parts follow the historical timeline. The fifth part focuses on the literary tradition of calligraphy and poetry. Dragon and Phoenix show the history of the global background of early art and cultural exchanges.

The exhibition exhibits a wide variety of artworks, including paintings, silverware, ceramics, glassware, manuscripts and luxurious fabrics, combining Arabic gold stones, Chinese wind, lotus, geometric decoration, dragons, phoenixes and many other international repertoires of magical animals.

Dragon and Phoenix showcased the art collections of the Louvre Museum in Abu Dhabi, as well as from the National Asian Art Museum-Jigme, Louvre Museum, Quai Branly Museum-Jacques Chirac, National Archives, Ceramic City-Sèvres and Limoges, items loaned by the French National Library, Musée de Cluny-National Medieval Museum, Musée des Arts Décoratifs, Musée Jacquemart-André-Institut de France, Musée national de la Renaissance-Château d’Ecouen, Muséum national d’ Histoire Naturelle and Musée des Tissus from Lyon.

The Dragon Phoenix Cultural Project is a sensory journey through the narrative of the exhibition, which will present various activities and projects, including carefully selected weekend movie screenings and dragon boats as new seasonal activities, as well as current yoga and museum kayaking activities.

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