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Saturday Night’s 54th Annual NAACP Image Award Once again, it brought together a star-studded group of TV and film nominees (despite torrential rains that flooded and caused power outages in several parts of Los Angeles).
But some of the best moments from the show, hosted by Queen Latifah and held at the Pasadena Municipal Auditorium, didn’t air.and hollywood reporter On the carpet and in the room, it’s the most important thing that the TV cameras don’t show.
More from The Hollywood Reporter
when the red carpet becomes the runway
Zendaya Her stylist, image designer Law Roach, was on the carpet before the closing ceremony, but that didn’t stop every camera from being called out to capture an archival look sure to be inspiring. The pair are known for their creative chemistry (Zendaya’s knowledge of how to strut, pose and find angles was the perfect canvas for Roach to win a CFDA Fashion Award), and last night didn’t disappoint: Euphoria The actress was seen wearing a strapless silk gown from Atelier Versace’s Spring/Summer 2002 collection. She later switched to a two-piece from Prada’s Spring/Summer 1993 collection (originally worn by supermodel Yasmeen Ghauri on the runway). Designer Miuccia Prada took it upon herself to help the actress upgrade the ensemble trousers into skirts for the occasion.
Curating Rihanna’s Super Bowl Halftime Show
Multi-instrumentalist and music director Adam Blackstone shares how he tackled the daunting task of organizing Rihanna’s slew of hit records into this year’s Glendale, Arizona State Farm Super Bowl LVII halftime show at State Farm Stadium. “Having to do a catalog presentation like this in 13 minutes, we had to hit everyone’s favorite moment fast,” Blackstone told Threonine. “It showed me how to make those moments impact, and she believed I could put all of that on the music; her pop stardom and iconicity was on full display. I think we did for the culture and the music that night a good thing.”
renaissance renaissance
Some movies and TV shows resonate, especially within the particular communities they represent, and over time become more than just entertainment but embeded into cultural memory. Last night made the case for bringing this type of content back and re-running it for new viewers as well as the loyal fans they attracted in the first place.
“These stories of family, friendship, and love endure,” said Malcolm D. Lee, the director of the 1999 film best man, Tell Threonine. This cult classic has now been reimagined as the Peacock series final chapterand Lee shared that part of the reason the timing was right to explore these characters again was that he was “finally able to get everyone’s schedules together.” [that people] It’s supposed to be done, but I don’t know how many times they do it… four or five times, sometimes eight! “
the original proud family debuted on the Disney Channel in 2001 and made waves with its portrayal of a real (albeit animated) black family, providing representation before the buzzword became mainstream.now it has resurrection as Proud Family: Loud and Proud On Disney+, Kyla Pratt talks about reprising her role as Penny Proud as an adult.
“I feel very lucky, [there aren’t] As an artist, a lot of times you re-live the characters you played 20-odd years ago and can see you grow in every way,” she says. “As a young girl — I was 14 at the time — I didn’t like own voice. I feel like one day I wake up feeling harsh and I think ‘what is this? ’ So to be who I am today, now doing all types of voiceovers and knowing that I can change my voice and play different characters. … [it’s great] Just seeing the confidence bloom that should have been there all along. “
Rethinking the Oscars ‘snub’
Two Films Directed by Black Women, Chinonye Chukwu’s until with Gina Prince-Bythewood’s Queen, both made headlines with zero Oscar nominations in 2023 despite critical acclaim and box office success.this NAACP Image Award Acknowledging the two films (they received six and nine nominations, respectively), NAACP President and CEO Derek Johnson addressed the divide threonine on the carpet.
“We are validating ourselves, and we don’t need any other institution to validate our talents, our art, our gifts and our contributions to shaping American culture,” he said. “until is an amazing movie, Queen I’ve seen it about four times and each time I get the chills… We don’t need external validation, we have it here. “
pay forward
Ruth Carterthe award-winning costume designer is best known for black panther, In partnership with Detroit’s Pensole Lewis College of Business and Design, the creative “Afrofuture Logo” design challenge gave four students the opportunity to design her gowns for the NAACP Image Awards and the Society of Costume Designers Awards . Last night, Carter wore a sculptural suit by Keanu Williams, which she joined on the carpet and in the auditorium.
business break selfie
Several stars got up and walked around the room, hugging and congratulating each other and posing for pictures with their friends when the cameras stopped rolling during the commercial. partial black Co-stars Marsai Martin, Yara Shahidi and Tracee Ellis Ross greet each other and stop for a few selfies.
Celebrities – they’re just like us!
Bad weather caused minor delays, leading to a surge in late arrivals shortly before the show. While most of the audience was seated at the top of the show, many attendees (both talent and media) were locked in the halls of the auditorium when the cameras first rolled. While everyone is waiting for the first commercial to come in and find their seats, Black Panther: Wakanda ForeverTenoch Huerta was also seen comfortably waiting his turn among the crowd.
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