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Taylor Swift’s 10th The studio album “Midnights” marked the artist’s glorious return to pop music.
The album, which Swift describes as “13 sleepless nights with stories scattered all over the place” [her] Life,” is definitely one of her more vulnerable pieces, but not her best (but not her worst either).
Swift walks the audience through the thoughts and memories that keep her up at night. However, it sounds like the memories in each track aren’t the ones that haunt her, but the ones she’s processing and receiving.
Here’s a synopsis of the album and some tracks:
The album starts off with “Lavender Haze,” which I think is the perfect opening track because it really sets the tone for the album, especially the first line is “Meet me at midnight.” The song is really about what it’s like to fall in love, and even with all the rumors in the tabloids about her relationship, that love is still going strong.
The album’s lead single, “Anti-Hero,” is one of those tracks that showcases Swift’s catchy and quirky pop, and she does it very well. While the music video for the song may seem corny in some ways, it does touch on heavy topics, with lyrics that go straight to some of Swift’s deepest, darkest insecurities.
As a devoted “1989” apologist, I was so excited when I heard the first line of “Question…?”. A sample from her “1989” track “Out Of The Woods”. I think this “Midnights” track sounds like it could fit into the other “1989” tracks, which is probably why I was drawn to it. However, I’m not a huge fan of the sound effects at the end of the bridge.
“Karma” has that addictive sound I’ve been chasing since her “1989” days. She sings about how she watched all the bad karma come back to those who wronged her and all her good karma came back to her. The lyrics “My pennies make your crown” seem to be a mockery of her former label manager Scooter Braun, the master of her first six albums, so that’s why she’s re-recording them.
She goes on to sing her good karma in the ridiculously cute “Sweet Nothing,” a romantic love song Swift co-wrote with boyfriend Joe Alwyn, who goes by the alias “William Bowery” on Swift’s song list.
After the love ballad is “Mastermind,” a song about how she made plans to make her boyfriend fall in love with her. It’s not as naughty as it sounds, though, and the song is mostly about her admitting and making fun of the fact that she did. The song takes a turn when she sings on the bridge, “No one wanted to play with me when I was a kid/So I’ve been as cunning as a criminal ever since/To make them love me, let it be It looked effortless.” This gave listeners some insight into why everything she did was thought out.
Jack Antonov, who has worked with Swift on multiple projects, is listed as a co-writer and co-producer of Midnight. While I generally like what he makes, I think Antonoff’s use of sound effects and synths on this album sometimes seems a bit redundant.
Producers can help artists capture their own unique sound, which Antonov has done and has done in the past with Swift and other artists. However, as a producer, Antonov also has his own voice, which I think shines through in odd moments throughout the album. Still, the album was a huge success for Swift.
In less than 24 hours, “Midnight” broke records on multiple streaming platforms including Spotify, Apple Music and Amazon Music. The album became Spotify’s most-played album in a single day, with more than 185 million plays, making Swift the platform’s most-played artist in a single day. “Midnight” is dominating the global charts and breaking records.
Swift announced a “chaotic surprise” at 3am after the album’s midnight release. A few hours later, she released a deluxe edition titled “Midnight (3AM Edition),” which included seven additional tracks, giving fans a sleepless night.
While “Midnights” is great, I think “Midnights (3am Edition)” is the best option if you choose to listen to this album. Seven extra tracks are worth it.
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