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In a business that lives and dies by sequels, maybe it’s about ‘John Wick: Chapter 4’ Has an Exciting Opening Weekend” (Lionsgate) is the third time in four weeks that a sequel has done better than its predecessor.
“Wick 4” debuted at $73.5 million, well ahead of the earlier strong starts of “Creed 3” (MGM) and “Scream 6” (Paramount). This is by far the best initial shot in the “Wick” series. It’s a welcome return for Lionsgate, which has thrived over the past few years with sprawling franchises like “The Twilight Saga” and “The Hunger Games.”
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It’s their biggest movie since the last “The Hunger Games” in 2015. The company was a great addition to pre-Covid theater revenues. But since 2019’s Knives Out, their highest-grossing before that was Jesus Revolution at $49 million (still in theaters).
In addition to the record-setting debut, “Wick 4” also had the best Cinemascore (A), Metacritic results (78) and best screen quality (1,697). It added another $64 million in overseas investment, ranking first among all 71 regions.
Even better, with an estimated production budget of $100 million, it has a lower bar to profitability than many franchises. Its PVOD pre-orders are a testament to its multi-platform potential: it briefly hit #1 on iTunes this weekend.
The performance is similar to the success of another R-rated action movie, “Mad Max: Fury Road.” Its 2o15 release grossed $45 million, and more than that is impressive.
Reported audience statistics show a dominant audience of non-white males aged 18-34. That bodes well for Universal’s upcoming “Fast X,” which hits theaters May 19.
“Wick 4” accounted for 62 percent of the weekend’s $117 million total. No other film has grossed more than $10 million. The biggest blame fell on “Shazam! Wrath of the Gods” (Warner Bros. Discovery Channel), which fell 68% in its second weekend after a poor start. The DC Comics title is looking for a domestic gross of just under $70 million.
The latest “Scream” and “Creed” entries followed with drops affected by “Wick 4” strength. “Creed 6” is set to hit a franchise-best $160 million domestically, while “Scream 6” will top $100 million.
The weekend totals put the 2023 year-to-date about 27% ahead of last year, roughly in line with recent weeks. If this continues, total domestic revenue will reach around $9.4 billion by 2023. Our rolling four-week comparison to the same date in the most recent pre-Covid period is at 69%.
Three new films opened in hundreds of theaters this weekend. Zach Braff’s “The Good Guys” (MGM) with Florence Pugh and Morgan Freeman managed $834,000 across 530 theaters. Stephen Frears’ “The Lost King” (IFC) with Sally Hawkins grossed $575,000 in 753.
Sideshow and Janus Movies
Several critically acclaimed games have fair platform openings. The Dardennes Brothers’ “Tori and Lokita” (Sideshow/Janus) grossed $15,600 from two theaters. “Park Namjoon: The Moon Is the Oldest Television” (Greenwich) scooped the best documentary of the year at the New York Film Forum with $10,378. “MUBI,” also opening at a New York theater, grossed $8,666. “Everything Everywhere All On Once” (A24), now in its second year, added another $445,000.
top 10
1. John Wick: Chapter 4 (Lionsgate) New — Cinemascore: A; Metacritic: 78; ET.Budget: $100 million
$73,525,000 at 3,855 theaters; PTA (Per Theater Average): $19,073; Cumulative: $73,525,000
2. Shazam! : Wrath of the Gods (WBD) Week 2; Last Weekend #1
$9,700,000 (-68%) at 4,071 (no change) theaters; PTA: $2,383; Cumulative: $46,307,000
3. Scream VI (Supreme) Week 3; Last Weekend #2
$8,400,000 (-52%) in 3,355 (-321) theaters; PTA: $2,504; Cumulative: $89,893,000
4. Tenet Three (MGM) Week 4; Last Weekend #3
$8,369,000 (-46%) in 3,207 (-270) theaters; PTA: $2,610; Cumulative: $140,889,000
5. 65 (Sony) Week 3; last weekend #4
2,786 (-619) theaters $3,250,000 (-44%); PTA: $1,167; Cumulative: $27,834,000
6. Ant-Man and the Wasp: Quantum Fever (Disney) Week 6; Last Weekend #5
1,915 (-735) theaters $2,420,000 (-43%); PTA: $1,241; Cumulative: $209,863,000
7. Cocaine Bear (Universal) Week 5; last weekend #6; also on PVOD
2,207 (-480) theaters, $2,090,000 (-47%); PTA: $947; Cumulative: $62,132,000
8. The Jesus Revolution (Lionsgate) Week 5; Last Weekend #7
1,964 (-390) theaters $2,000,000 (-43%); PTA: $1,018; Cumulative: $49,033,000
9. Champion (Focus) Week 3; Last Weekend #8
1,917 (-1,122) theaters $1,540,000 (-50%); PTA: $803; Cumulative: $13,600,000
10. Avatar: Way of Water (Disney) Week 15; Last Weekend #9
935 (-255) theaters $1,400,000 (-33%); PTA: $1,497; Cumulative: $680,441,000
National Film
Other professional titles
Movies (Limited Release, Limited Release, and Award Winning) are listed by release week, starting with those released that week; after the first two weeks, only movies that grossed more than $5,000 at the box office are listed.
A good man (MGM) New – Metacritic: 49
$834,018 for 530 theaters; PTA: $1,574
lost king (IFC) New – Metacritic: 64; Festivals included: Toronto 2022
$575,000 for 753 theaters; PTA: $763
tori and lokita (Sideshow/Janus) New – Metacritic: 78; Festivals include: Cannes, Telluride 2022
2 theaters $15,600; PTA: $7,800
five devils (MUBI) New – Metacritic: 69; Festivals included: Cannes 2022
1 theater: $8,666; PTA: $8,666
Nam June Paik: The moon is the oldest TV (Greenwich) New – Metacritic: 79; Festivals included: Sundance 2023
1 theater: $10,378; PTA: $10,378
What happened to the blood, sweat and tears? (Abramorama) new
1 theater $5,093; PTA: $5,093
Magical Zoo (blue fox) new
301 theaters: $150,729; PTA: $501
continue (Roadside Attractions) Week 2
771 (+36) theaters $346,230; PTA: $449; Cumulative: $1,699,000
in (Focus) Week Two
357 (no change) theaters $125,000; PTA: $350; Cumulative: $825,000
quiet girl (Neon) Week 5
146 (-88) theaters $127,000; Cumulative: $1,221,000
return to seoul (Sony Pictures Classics) Week 6
87 (+47) theaters, $87,125; Cumulative: $542,554
whale (A24) Week 16; also on demand
89 (-420) theaters $41,152; Cumulative: $17,401,000
everything is everywhere (A24) Week 53; also on PVOD
607 (-1,026) theaters $445,429; Cumulative: $76,677,000
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